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| Field | Ind | Field content |
| leader | -----nam-a22------i-4500 | |
| 1 | kpw01246213 | |
| 3 | CZ-PrUMK | |
| 5 | 20211207181013.9 | |
| 8 | 210511s2021----xxka||||||||||||||||eng|| | |
| 20 | ## | $a 978-1-4742-3970-7 |
| 40 | ## | $a ABE310 $b cze $e rda |
| 80 | ## | $a 738(091) |
| 100 | 1# | $a Greenhalgh, Paul, $d 1955- $7 mub20191050410 $4 aut |
| 245 | 10 | $a Ceramic art and civilisation / $c by Paul Greenhalgh |
| 250 | ## | $a Print editions first published in Great Britain |
| 264 | #1 | $a London : $b Bloomsbury Visual Arts, $c 2021 |
| 300 | ## | $a 512 stran : $b ilustrace (převážně barevné) |
| 336 | ## | $a text $b txt $2 rdacontent |
| 336 | ## | $a statický obraz $b sti $2 rdacontent |
| 337 | ## | $a bez média $b n $2 rdamedia |
| 338 | ## | $a svazek $b nc $2 rdacarrier |
| 504 | ## | $a Obsahuje bibliografii, bibliografické odkazy a rejstřík |
| 505 | 0# | $a Acknowledgements. -- Prologue: A History in Shards. -- CHAPTER 1: WHAT CERAMIC IS -- 1. Fundamentals -- 2. Stuff of the Earth -- 3. The Art of Heat -- 4. The Potter -- 5. Nomenclature and Culture -- 6. The Ceramic Continuum -- 7. Transformers: Classicism, Islam, China, and the Modern -- 8. The Discipline -- 9. Industry and the Levels of Production -- 10. Ubiquity: The Plastic of the Ancient World -- 11. Telling Stories -- 12. Civilisation, Power, and Domestic Life -- 13. Conclusion: Western Ceramic. -- CHAPTER 2: THE VALUE OF THE GREEK POTTER -- 1. The World in Black and Red -- 2. Positioning the Pots -- 3. The Earlier Greek World -- 4. Reducing Iron and Oxygen -- 5. Who Were These People? -- 6. Secular Life -- 7. Anachronism, the Value, and the Price of Things -- 8. The Value and the Price of Things -- 9. Conclusion: The Spread of Red and Black. -- CHAPTER 3: ROME AND THE ARRIVAL OF THE MEDIEVAL WORLD -- 1. The Feel of Roman Pots -- 2. Red Gloss -- 3. The Pots of Empire -- 4. Greece, Rome, and the Classical Idea -- 5. Standardisation -- 6. Dark, Light, an End and a Beginning -- 7. Europe: The Coarse and the Local -- 8. Revivalism and the Vernacular -- 9. Conclusion: The Classical Heritage. -- CHAPTER 4: RENAISSANCES OF TIN -- 1. The Chemistry of Islam -- 2. Islam and Ceramic History -- 3. The Pottery Revolution -- 4. Islam in Europe -- 5. Renaissance Pots -- 6. Colour, Line and Life -- 7. Secular Life -- 8. Pottery and Painting -- 9. Quantity, Quality, and Status -- 10. The Arrival of the Meal -- 11. Sculptural Form -- 12. Italian Potters and Potteries -- 13. Renaissances -- 14. Conclusion: a European Ethos. -- CHAPTER 5: THE ENLIGHTENED REIGN OF WHITE -- 1. Chinese Pots -- 2. Technology, Style, Confidence -- 3. Porcelain City -- 4. China in Europe -- 5. The Quest for a European Porcelain -- 6. The Porcelain Explosion -- 7. Blue, White, War, and Peace -- 8. Delftware -- 9. Frivolity and Melancholy: the Figurine Reinvented -- 10. The Rise of Staffordshire -- 11. Conclusion: Modern Whiteness. -- CHAPTER 6: THE NATURAL AND THE INDIVIDUAL: LEAD, SLIP, STONE, SALT: 1. History, the Collective, and the Individual -- 2. The Renaissance Man -- 3. The Palissystes -- 4. The Salt Renaissance -- 5. Prose and Poetry -- 6. The Nature of Slip -- 7. Configuring Life -- 8. The Arrival of America -- 9. Conclusion: The Ingredients of Modernity. -- CHAPTER 7: THE ACCELERATION OF STYLE AND THE ARRIVAL OF THE MODERN -- 1. Decoration, Complication, and Anxiety -- 2. The Last Transformer: Another Modernity -- 3. Institutionalisation -- 4. Exhibitions -- 5. Ugliness and the Era -- 6. The Invention of Style -- 7. Design Reform and the Ingredients of Modern Design -- 8. The Meaning of Majolica -- 9. The Vortex of Large-scale Production -- 10. The Republic of Tile -- 11. Ceramic Hell -- 12. Gender -- 13. Exoticism -- 14. The Designer -- 15. The Art Nouveau style -- 16. Conclusion: High Eclecticism to Art Nouveau. -- CHAPTER 8: THE STUDIO ARRIVES: 1. A Modern Place -- 2. Art Pottery -- 3. Defining Art -- 4. The Invention of Craft -- 5. The Completeness of Existence -- 6. The Artist-potter -- 7. Émigrš -- 8. Art Deco -- 9. The International Style -- 10. Mid-century Modern -- 11. Potters and Painters -- 12. Conclusion: A World is Formed. -- CHAPTER 9: THE CREATIVE EXPLOSION -- 1. Thunderous Emotion -- 2. Another Modernity -- 3. The World of Funk -- 4. Conceptualism and Minimalism -- 5. A New Arena -- 6. New American Symbolism -- 7. The Ceramic Landscape -- 8. Abstract Vessels -- 9. Postmodernism -- 10. The New Ornamentalism -- 11. Conclusion: The Potter Now. -- Postscript: Attica to California. -- Notes Bibliography -- Index -- About the Author |
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